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Aichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto CityAichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto City

What’s On

Elena Damiani

  • Contemporary Art
  • Aichi Prefectural Ceramic Museum

Exhibition

  • Installation view at Aichi Triennale 2025
  • Elena Damiani, Relieve III, 2025
  • ©︎ Aichi Triennale Organizing Committee
  • Photo: Ito Tetsuo
Description

Crossing multiple disciplines, such as geology, geography, cartography, archaeology, and astronomy, Elena Damiani has explored changes occurring over enormous spans of time that can be seen in material and landscapes. Her art reveals a person trying to intellectually fathom the earth and the wide array of material structures that change on scales that far exceed the human lifespan.
Her archetypal “Relieve” series reminds us of how landforms are created through a process in which precipitation causes sand and minerals to change form, and then dry and harden once more. The geometrical onyx oloids that have left trails in the soil represent materials that change form on geological time scales in response to the environment. In this work, which is part of the same series, the artist uses loess, a local material containing the gairome clay that has supported Seto’s ceramic industry, as well as silica sand and iron oxide. While these raw materials appear immutable at first glance, they actually assumed their present form after undergoing weathering and sedimentation, processes of material and chemical decomposition that take place over the course of incredibly long periods of time.
Making trails, swaying right and left, it is as if these handmade oloids are tracing the constant change undergone by these materials. Damiani’s projects make visible the incredibly long processes hidden within the material world that we tend to view as static and fixed, and reinterpret them from a different perspective involving geological time and history along with human activity, which is intricately connected to them.

Venue

Aichi Prefectural Ceramic Museum
Main Gallery

Profile

  • Born 1979 in Lima, Peru. Based in Lima, Peru.

Elena Damiani uses the disciplines of geology, geography, cartography, archaeology, and astronomy to reinterpret such categorizations and our understanding of the physical world. Her works propose alternative readings of geological time, history, and the human classification of evidence. Her practice reveals a search to understand how structures that obey a magnitude greater than the brief passage of man on Earth are composed and function. This search formulates a series of explorations that seek to reinterpret various stages and natural processes by confronting us with the idea we have of the world in which we live.

Selected exhibitions
2023
12th Seoul Mediacity Biennale, THIS TOO, IS A MAP, Seoul Museum of Art (Korea)
2022
Chosen Memories: Contemporary Latin American Art from the Patricia Phelps de Cisneros Gift and Beyond, The Museum of Modern Art (New York, USA)
2022–23
Abundant Futures. Works from the TBA21 Collection, C3A Centro de Creación Contemporánea de Andalucía (Córdoba, Spain)
2022
Solo exhibition, Ensayos de lo sólido, Museo de Arte Contemporáneo de Lima (Peru)
2015
56th Venice Biennale, International Art Exhibition: All the World’s Futures (Italy)
  • “Relief I” 2023
  • Photo: Juan Pablo Murrugarra