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Aichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto City

What’s On

Faustin Linyekula

  • Performing Arts
  • Aichi Arts Center

Performances

Japan PremiereDance
My body, my archive
  • “My body, my archive” 2023
  • Photo: Sarah Imsand
  • “My body, my archive” 2023
  • Photo: Sarah Imsand
  • “My body, my archive” 2023
  • Photo: Sarah Imsand
  • “My body, my archive” 2023
  • Photo: Sarah Imsand
  • “My body, my archive” 2023
  • Photo: Sarah Imsand
Memories etched into the body arise, resounding from far away, beyond history. Storytelling through dance.

Faustin Linyekula is a choreographer, director, and dancer from the Democratic of the Congo. He apprehends the “body” as a living archive to question the violence of History and its impact on personal and collective memory. Prior to European colonization, the peoples of Congo had their own ways of archiving their life experience through masks, sculptures, songs, and stories. Many of these were destroyed or scattered around the world along with colonial rule. My body, my archive explores the possibilities of people putting together their own archives as opposed to those of the conquerors, by connecting the pieces of their fragmented history and memories. The trumpet of Heru Shabaka-Ra (a member of the Sun Ra Arkestra) awakens the memories etched in the body, and throws into relief the wounds of the past, the weight of history, and signs of the future.

Date
  • MEET THE ARTIST
  • Childcare Services
  • Relaxed Performance
  • Childcare Services
Venue

Aichi Prefectural Art Theater, Mini Theater (B1F)
(1-13-2 Higashisakura, Higashi-ku, Nagoya)

Performance time

65 min.

Language

English with Japanese subtitles

Tickets
Adult
¥3,500
U25
¥2,000

* Same-day tickets (General and U25) are ¥500 more than the advance price.
* Pair tickets (6,500 Yen) are sold only in advance.

Ticket Purchase

Seating

Unreserved

Staff
Choreography, dance:
Faustin Linyekula
Music (trumpet):
Heru Shabaka-Ra
Sculptures:
Gbaga
Performance flyer

It will be released at a later date.

Assistance for viewing
[Before you attend]
  • This work is performed in English. Japanese and English surtitles will be displayed during the performance.
  • Preschool-aged children are welcome to attend this performance. Children of preschool age may attend for free if they sit on an accompanying adult’s lap. A ticket is required for children who need a separate seat (U25 tickets are available).Childcare service is available for parents or guardians who wish to attend alone.
  • Visitors using wheelchairs are asked to contact i-Ticket at 0570-00-5310.
[Childcare Services]
Childcare services are available. Advance reservation is required. Further details will be announced on the official website at a later date.
[MEET THE ARTIST ()]
A talk with the cast and director(s) will follow the performance. Audience members are welcome to attend without a reservation.
  • Japanese-French consecutive interpretation is available.
  • Live text support via UD Talk.
[Relaxed Performance ()]
Relaxed performances offer a more flexible setting and looser audience etiquette. Attendees are welcome to make noise, come and go as they please, and enjoy the show at their own pace. These performances offer a welcoming space for parents with young children, visitors with disabilities, and anyone who finds traditional theater environments challenging.

Profile

  • Born 1974 in Kisangani, Democratic Republic of the Congo. Based in Kisangani, Democratic Republic of the Congo.

Faustin Linyekula is a choreographer, director, and dancer from the Democratic of the Congo. He apprehends the “body” as a living archive to question the violence of History and its impact on personal and collective memory. His work has been staged around the world, at venues including the Tate Modern, New York Live Arts, New Zealand Festival (Wellington) , Sharjah Biennial, the Metropolitan Museum and the Festival d’Avignon.
Prior to European colonization, the peoples of Congo had their own ways of archiving their life experience through masks, sculptures, songs, and stories. Many of these were destroyed or scattered around the world along with colonial rule. My body, my archive explores the possibilities of people putting together their own archives as opposed to those of the conquerors, by connecting the pieces of their fragmented history and memories. The trumpet of Heru Shabaka-Ra (a member of the Sun Ra Arkestra) awakens the memories etched in the body, and throws into relief the wounds of the past, the weight of history, and signs of the future.

Selected performances
2023
“My body, my archive” (stage version), Théâtre Vidy-Lausanne (Switzerland)
2020
“My body, my archive” (installation with live activation), Tate Modern (London, UK)
2019
“Histoire(s) du théâtre II,” Festival d’Avignon (France)
2019
“Congo,” KVS Theatre (Brussels, Belgium)
2017
“Banataba,” Metropolitan Museum of Art (New York, USA)