What’s On
Faustin Linyekula
- Performing Arts
- Aichi Arts Center
Performances
Japan PremiereDanceMy body, my archive
Memories etched into the body arise, resounding from far away, beyond history. Storytelling through dance.
Faustin Linyekula is a choreographer, director, and dancer from the Democratic of the Congo. He apprehends the “body” as a living archive to question the violence of History and its impact on personal and collective memory. Prior to European colonization, the peoples of Congo had their own ways of archiving their life experience through masks, sculptures, songs, and stories. Many of these were destroyed or scattered around the world along with colonial rule. My body, my archive explores the possibilities of people putting together their own archives as opposed to those of the conquerors, by connecting the pieces of their fragmented history and memories. The trumpet of Heru Shabaka-Ra (a member of the Sun Ra Arkestra) awakens the memories etched in the body, and throws into relief the wounds of the past, the weight of history, and signs of the future.
Date
-
- MEET THE ARTIST
- Childcare Services
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- Relaxed Performance
- Childcare Services
Venue
Aichi Prefectural Art Theater, Mini Theater (B1F)
(1-13-2 Higashisakura, Higashi-ku, Nagoya)
Performance time
65 min.
Language
English with Japanese subtitles
Tickets
- Adult
- ¥3,500
- U25
- ¥2,000
* Same-day tickets (General and U25) are ¥500 more than the advance price.
* Pair tickets (6,500 Yen) are sold only in advance.
Seating
Unreserved
Staff
- Choreography, dance:
- Faustin Linyekula
- Music (trumpet):
- Heru Shabaka-Ra
- Sculptures:
- Gbaga
Performance flyer
It will be released at a later date.
Assistance for viewing
- [Before you attend]
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- This work is performed in English. Japanese and English surtitles will be displayed during the performance.
- Preschool-aged children are welcome to attend this performance. Children of preschool age may attend for free if they sit on an accompanying adult’s lap. A ticket is required for children who need a separate seat (U25 tickets are available).Childcare service is available for parents or guardians who wish to attend alone.
- Visitors using wheelchairs are asked to contact i-Ticket at 0570-00-5310.
- [Childcare Services]
- Childcare services are available. Advance reservation is required. Further details will be announced on the official website at a later date.
- [MEET THE ARTIST ()]
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A talk with the cast and director(s) will follow the performance. Audience members are welcome to attend without a reservation.
- Japanese-French consecutive interpretation is available.
- Live text support via UD Talk.
- [Relaxed Performance ()]
- Relaxed performances offer a more flexible setting and looser audience etiquette. Attendees are welcome to make noise, come and go as they please, and enjoy the show at their own pace. These performances offer a welcoming space for parents with young children, visitors with disabilities, and anyone who finds traditional theater environments challenging.
Profile
- Born 1974 in Kisangani, Democratic Republic of the Congo. Based in Kisangani, Democratic Republic of the Congo.
Faustin Linyekula is a choreographer, director, and dancer from the Democratic of the Congo. He apprehends the “body” as a living archive to question the violence of History and its impact on personal and collective memory. His work has been staged around the world, at venues including the Tate Modern, New York Live Arts, New Zealand Festival (Wellington) , Sharjah Biennial, the Metropolitan Museum and the Festival d’Avignon.
Prior to European colonization, the peoples of Congo had their own ways of archiving their life experience through masks, sculptures, songs, and stories. Many of these were destroyed or scattered around the world along with colonial rule. My body, my archive explores the possibilities of people putting together their own archives as opposed to those of the conquerors, by connecting the pieces of their fragmented history and memories. The trumpet of Heru Shabaka-Ra (a member of the Sun Ra Arkestra) awakens the memories etched in the body, and throws into relief the wounds of the past, the weight of history, and signs of the future.
- Selected performances
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- 2023
- “My body, my archive” (stage version), Théâtre Vidy-Lausanne (Switzerland)
- 2020
- “My body, my archive” (installation with live activation), Tate Modern (London, UK)
- 2019
- “Histoire(s) du théâtre II,” Festival d’Avignon (France)
- 2019
- “Congo,” KVS Theatre (Brussels, Belgium)
- 2017
- “Banataba,” Metropolitan Museum of Art (New York, USA)