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Aichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto CityAichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto City

What’s On

Morohoshi Daijiro

  • Contemporary Art
  • Aichi Arts Center

Exhibition

  • Installation view at Aichi Triennale 2025
  • Morohoshi Daijiro
  • ©︎ Aichi Triennale Organizing Committee
  • Photo: ToLoLo studio
Description

Drawing on myths, history, folklore, and literature from the East and West, Morohoshi Daijiro has used his boundless imagination to fuse reality and fantasy to produce a large number of original and creative manga. He presents a number of works that resonate with the Aichi Triennale 2025 theme, A Time Between Ashes and Roses.

“Bio City” is about a phenomenon that occurs on Earth when a spaceship returns from exploring Jupiter’s first moon, Io. Living beings begin to merge with machines and metals. This spreads out, eventually becoming a single massive organism, resulting in a utopia where there is no war and no authority. His Demon Hunter series follows an archaeologist who encounters strange incidents wherever he goes. One story in this series is “Tree of Life,” set in a Kakure Kirishitan (Hidden Christian) village in Northeastern Japan, telling the story of a new god who saves the descendants of Lucifer, who had been punished for eating the fruit of the Tree of Life by having to suffer on Earth for all time, unable to die (in contrast to Adam, who was banished from the garden of Eden for eating the fruit of the Tree of Knowledge). “Guest of Darkness” is another story in the same series, set in an isolated town and relating how reviving an old festival that had been dormant for close to a century resulted in calling up a demon rather than a god of fortune from a large torii gate standing at a distance from the town. In Mud Men, the son of the chief of an ethnic minority community in Papua New Guinea joins with his Japanese half sister. Together they trace the path of a local myth that resembles the Japanese creation myth of Izanagi and Izanami, having to work out how to survive a life trapped between tradition and Modern society. “From a Faraway Land – P.S. Khao-Khao comes through” is a travelogue following Khao-Khao, a large face that moves between countries once every 130 days. Some countries identify with Khao-Khao, but others feel uncomfortable and attempt to keep out of the way. Some are simply uninterested, and others panic. This is a simple and clear portrayal of the differing values of each of these countries.

Venue

Aichi Arts Center 10F
Aichi Prefectural Museum of Art

Profile

  • Born 1949 in Nagano, Japan. Based in Tokyo, Japan.

Morohoshi Daijiro began drawing manga while working as a civil servant, a job he held after graduating from high school. Since debuting as a manga artist in 1970 with work submitted to COM, a magazine launched by Tezuka Osamu, Morohoshi has created works in the science fiction, horror, and fantasy genres, depicting the underworld lurking on the other side of everyday life with a unique touch, sometimes with a sense of humor. Drawing on myths, history, legends, folklore, literature, and archeological artifacts from the East and West, he has used his boundless imagination to fuse reality and fantasy to produce a large number of original and creative short and medium-length stories, while also creating long-running feature-length series. Throughout his fifty-plus-year career, he has continued to have an enormous influence not only in the field of manga but also music, animation, and other Japanese popular culture.

Selected awards
2014
Received the 64th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize (Media Arts Division) for Uriko-hime no Yoru, Cinderella no Asa.
2008
Received the Excellence Award in the Manga Division of the 12th Japan Media Arts Festival for Shiori to Shimiko.
2000
Received the Grand Prize of the 4th Tezuka Osamu Cultural Prize for Saiyū Yōenden.
1992
Received the Excellence Prize of the 21st Japan Cartoonists Association Award for Boku to Furio to Kotei de and I Kai Roku.
1974
Nominated for the 7th Tezuka Award for “Seibutsu Toshi.”
  • “Forest of Transformation” (Mud Men), Monthly Shonen Champion, 1981