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Aichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto CityAichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto City

What’s On

OLTA

  • Performing Arts
  • Aichi Arts Center

Performances

World Premiere, New CommissionTheaterInstallation
Eternal Labor
  • © OLTA
  • © OLTA
“It’s like we’re bugs. That’s right. We are. Laborers are bugs. Once you say it, it becomes real.” OLTA’s latest work dives deep into the ideological currents that flow from modernity to the present.

OLTA’s latest work, Eternal Labor, poses deeper questions about the ideologies that connect the modern era with contemporary times, a topic the collective has explored since GHOST OF MODERN (2013), which traced negative legacies throughout the world. After wide-ranging research in the Japanese archipelago and the Korean Peninsula, this collective now portrays the divisions and continuity between the era of the Japanese Empire and today, and the labor and exploitation that took place behind the scenes during economic development, projected onto the bodies of contemporary women. Focusing on issues within society such as women who have been objectified, bodies that can become pregnant, sexual discrimination, and power structures, the collective zeros in on what is at the root of labor that is devoid of meaning and lifestyles of consumerism through both an exhibition and a performance, as well as through the timeless and universal multilayered perspective and humor that is OLTA’s hallmark.

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  • MEET THE ARTIST
  • Childcare Services
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  • Childcare Services
  • Audio Guide Support
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  • Relaxed Performance
  • Childcare Services
  • Audio Guide Support
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Closed
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  • MEET THE ARTIST
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  • Relaxed Performance
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  • Childcare Services
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  • Childcare Services
Exhibition

* You can enter with a contemporary art exhibition ticket or a performance ticket

Venue

Aichi Prefectural Art Theater, Mini Theater (B1F)
(1-13-2 Higashisakura, Higashi-ku, Nagoya)

Performance time

80 min.

Language

Japanese-with English Subtitles

Tickets
Adult
¥3,500
U25
¥2,000

* Same-day tickets (General and U25) are ¥500 more than the advance price.
* Pair tickets (6,500 Yen) are sold only in advance.

Ticket Purchase

Seating

No Seating

Staff
Text:
Meguninja
Direction:
Jang-Chi
Performers:
Inoue Toru, Saito Takafumi, Meguninja, and others.
Stage Design:
Hasegawa Yoshiro
Performance flyer

It will be released at a later date.

Assistance for viewing
[Before you attend]
  • This work is performed in Japanese. English surtitles will be displayed during the performance.
  • Preschool-aged children may only attend Relaxed Performances. Children of preschool age may attend for free if they sit on an accompanying adult’s lap. A ticket is required for children who need a separate seat (U25 tickets are available). Parents or guardians who wish to attend non-Relaxed Performances are encouraged to use the childcare service.
  • Visitors using wheelchairs are asked to contact i-Ticket at 0570-00-5310.
[Childcare Services]
Childcare services are available. Advance reservation is required. Further details will be announced on the official website at a later date.
[MEET THE ARTIST (, )]
A talk with the cast and director(s) will follow the performance. Audience members are welcome to attend without a reservation.
  • Live text support via UD Talk.
[Relaxed Performance (, )]
Relaxed performances offer a more flexible setting and looser audience etiquette. Attendees are welcome to make noise, come and go as they please, and enjoy the show at their own pace. These performances offer a welcoming space for parents with young children, visitors with disabilities, and anyone who finds traditional theater environments challenging.
[Audio guide available (, )]
We are planning a special program with audio guides for blind and visually impaired visitors. Further details will be announced on the official website at a later date.

Profile

  • Formed 2009 in Kanagawa, Japan. Based in Tokyo, Japan.

OLTA is a multidisciplinary collective founded in 2009. Their work, ranging from agriculture to installations, explores the nature of collective identity in today’s world while reinterpreting the meaning of community, ceremony, folklore, historical events, and the specificity of land and space. Their fieldwork looks at marginalized communities within society as well as labour, history, and customs that are liable to be overlooked. Bringing together art and theatre, their performance work interweaves elements including text, art, people, space, light, sound, and video. The five members of OLTA –Inoue Toru, Saito Takafumi, Hasegawa Yoshiro, Meguninja, and Jang-Chi– have in recent years, held many interdisciplinary performances at art festivals, theatres, and museums both in Japan and internationally. Through audience involvement, they create experiences that blur the lines between the quotidian and the historic, real and fiction, genders, and countries, all with rebellious play.
For Aichi Triennale 2025, they are presenting a new work foregrounding themes of “women” and “labour.” Building on their fieldwork in the northern coast of Kyushu, the Tsushima Strait, and the Korean Peninsula, this new work will both dynamically and playfully make full use of the theatrical space.

Selected performances and group exhibitions
2023
“The Japanese Ideology,” Yokohama International Performing Arts Meeting 2023, BankART Station (Kanagawa, Japan)/ROHM Theatre Kyoto (Japan)
2020
“Hyper Popular Art Stand Play,” ROHM Theatre Kyoto (Japan)
2016
Busan Biennale 2016: Hybridizing Earth, Discussing Multitude (Korea)
2014
16th Seoul Marginal Theater Festival (Korea)
2013
Visceral Sensation — Voices So Far, So Near, 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, Japan)