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Aichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto CityAichi Triennale 2025: A Time Between Ashes and Roses, Period:September 13 to November 30, 2025, 79 days, Venues: Aichi Arts Center, Aichi Prefectural Ceramic Museum, Seto City

What’s On

Yamamoto Sakubei

  • Contemporary Art
  • Aichi Arts Center

Exhibition

  • Installation view at Aichi Triennale 2025
  • Yamamoto Sakubei
  • ©︎ Aichi Triennale Organizing Committee
  • Photo: ToLoLo studio
Description

The Seto Line of Nagoya Railroad (Meitetsu), which was known as the Seto Electric Railway until 1939 and is otherwise commonly known as Seto-Den, connects the downtown Sakae District of Nagoya City with central Seto City. From the 1910s to the 1940s, when coal kilns were in common use, it carried ceramic goods from Seto and transported massive amounts of coal fuel to Seto, which was shipped to Nagoya by sea. Much of the coal that supported the ceramic industry of Seto was mined in the Chikuho mines and other coalfields of Kyushu.
Yamamoto Sakubei, who was born in the Chikuho region of Kyushu, first entered the coal mines at the age of six, and eventually worked in mines at many different locations as he wandered from place to place. After he retired in 1955 because of the closing of his last workplace, the Ito Coal Mine, he began to take up the paintbrush to pass on to future generations what it was like in coal mines, while working as a night watchman. Well over one thousand drawings and paintings were produced from this time until his death at ninety-two. Rendered by an artist who was completely self-taught, these paintings are represented faithfully from the perspective of a coal miner, with commentary describing meticulous details, such as the demanding process of labor involved in the work and the characteristics of the tools that were used, giving viewers today a vivid sense of being present in the scene. In 2011, 697 of Yamamoto’s drawings, paintings, and diaries owned by Tagawa City in Fukuoka Prefecture and the Yamamoto family were included as Japan’s first inscription in UNESCO’s Memory of the World Register as a historical legacy to be shared with all humanity. In this, and other ways, Yamamoto’s works are garnering attention as precious art and documents that are unique, capturing one aspect of the modern industries of Japan during the time the country was experiencing rapid development. Twenty-seven drawings and paintings Yamamoto gave to his family and relations during his lifetime are presented here.

Venue

Aichi Arts Center 10F
Aichi Prefectural Museum of Art

Profile

  • Born 1892 in Fukuoka, Japan; died in 1984 in Fukuoka, Japan.

Yamamoto Sakubei was born in Chikuho region in Kyusyu. He moved from one coal mine to another after he started working at a coal mine when he was 6 years of age. After he retired in 1955 because of the closing of his last workplace Ito Coal Mine, he began to take up the paintbrush to pass on to future generations what it was like in coal mines, while working as night watchman. In excess of one thousand drawings and paintings produced from this time until his death at 92 are published in various forms, including in works such as Meiji/Taisho Tanko Emaki (Coal mines of the Meiji and Taisho Eras, 1963), Gabunshu—Tanko ni Ikiru (Collection of annotated paintings—Living in the coal mines, 1967), and Yamamoto Sakubei Gabun—Chikuho Tanko Emaki (Annotated paintings by Yamamoto Sakubei—Pictorial records from the Chikuho mines, 1973). In 2011, 697 of his vivid annotated paintings portrayed from perspective of coal miners in a way that makes viewers feel present in the scene and his diaries are included as Japan’s first inscription in UNESCO’s Memory of the World Register as a historical legacy to be shared with humanity.

Time line
1906
Begins working in Sannai Coal Mine run by Aso Takichi in Fukuoka Prefecture.
1955
Retires with closure of Ito Coal Mine at Nagao Mining Station in Fukuoka Prefecture.
1957
Becomes night watchman at Nagao Mining Station office, drawing and painting beside his work.
1963
Meiji/Taisho Tanko Emaki (Coal mines of the Meiji and Taisho Eras) published.
2011
Collection of 697 annotated paintings and diaries included as Japan’s first inscription in UNESCO’s Memory of the World Register.
  • “Mining Coal in a Crouching Position in Thin Coal Bed” 1973
  • ©︎Yamamoto Family